Edito

This is indeed one career within the field of photography, but let us dare to say it: it merits its own exploration. Its function can vary from the production of a simple print, to a true work of art. The masters sign the fine art print next to the photographer.

To print is to interpret, it is far from mechanical: two printers will produce different results from one same image. A little darker here, a little lighter there, adjust the contrasts…

After Gustave le Gray who, in 1855, had already laid the foundations, those who know anything about printing are aware of its strength as a creative tool.

And what of those who keep the pictorial techniques going, with high “added value”: Carbon printing with the Fresson family, Barrantes’ gum bichromate printing, or even (already “vintage”!) Roland Dufau’ Cibachrome or Diamantino Quintas’ black and white.

These masters of printing assert the subjectivity and asperity of what is human.

Defenders of the “Walter Benjaminian” uniqueness, their prints are, as vinyl is to music, the last defence of the object against its dissolution into the digital “flow”.

Film director Thomas Goupille take you on a journey that will help you see that the best days of “the lab” still are yet to come!

The Films

Dive behind the scenes of photography.
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Linked Articles

The Fresson process
André Rouillé by André Rouillé

The Fresson process

linked to The Workshop | The Fresson Process

From the film's opening frames, Thomas Goupille plunges us into another world and another time: the workshop of the famous Fresson dynasty, master printers of photographs since 1899. The enlarger and the wooden frames from the nineteenth century, the Roberval balance, now only found at antique deale…

Bernard Plossu on Printing
Bernard Plossu by Bernard Plossu

Bernard Plossu on Printing

linked to The Workshop | The Fresson Process

Bernard Plossu isn't usually very forthcoming. Each word reveals the coherence of a reasoned worldview, studded with aesthetic references. DK2R had the opportunity to ask him about printing, and his answers extend this central subject of the photographic act. *** Emmanuel Bacquet: Bernard Plossu, wh…

Agnès Varda and photography
Rosalie Varda by Rosalie Varda

Agnès Varda and photography

linked to Diamantino Quintas | The Darkroom Masters

As well as working as a costume designer for the cinema and theatre, Rosalie Varda runs Agnès Varda’s family production company, Ciné-Tamaris, based in Rue Daguerre in Paris.A street named after the great photographer. One of the small details and coincidences Agnès Varda loved to highlight and give…

Further exploration

Bibliography

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• Dominique Gaessler, Les grands maîtres du tirage, Contrejour, 1987 (in French).

• Sandy King, Don Nelson and John Lockhart, Carbon Transfer Printing: A Step-by-Step Manual, Featuring Contemporary Carbon Printers and Their Creative Practice, Focal Press, 2019.

• Dolorès Marat and Pascal Bonafoux, Edges, Dewi Lewis Publishing, 1996.

• Janis Bultman, Legacies: Interviews with Masters of Photography from Darkroom Photography Magazine, Quercus Agrifolia Press, 2018.

• Ansel Adams and Robert Baker, The Print, Ansel Adams editions, 1995.

• Time-Life authors, The Print, Little Brown & Co, 1982.

• François Hébel and Christian Lacroix (eds.), Lucien Clergue, les premiers albums, Réunion des musées nationaux, 2015 (in French).

• Miguel Rio Branco, Œuvres photographiques 1968-1992, Toluca Editions, 2020 (bilingual).

• Rétrospective, Carlos Barrantes, photographe et tireur, Éditions Trabucaire, 2014 (in French).

• Un jour partons, Mai-Photographies, 2014 (in French).