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Dive Behind the Scenes of Photography!

Remember the first time you held a camera, that thrill of capturing a one-of-a-kind moment... Relive that magic, dive into the wonders of photography, uncover its secrets, and fuel your inspiration with an exceptional collection of documentary films and original creations, complemented by exclusive articles, interviews, and a wealth of resources that invite you to observe the world from a fresh perspective.

By Photography Enthusiasts, For Photography Enthusiasts

The Darkroom Rumour is a groundbreaking video library aimed at inspiring and nurturing the photographic realm. It was conceived by enthusiasts who wanted to fill the glaring lack of films and documentaries about photography on our TV screens and streaming platforms. Each film is handpicked and thoughtfully introduced, saving you hours of searching. We add one to two new films to our collection every month.

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Imagine where your passion could take you tomorrow. Draw inspiration from the journeys and insights of top photographers and craftsmen. Advance your photography practice, deepen your personal research, and even boost your confidence... The Darkroom Rumour offers a unique space, welcoming all forms of photography, without bias to style or genre. It's a haven for discovery, reflection, and entertainment. Pressure-free, judgment-free, at your own pace.

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Bettina Rheims (by Serge Bramly)
Serge Bramly by Serge Bramly

Bettina Rheims (by Serge Bramly)

linked to Bettina Rheims, My Life

How to define what photography is, what distinguishes it from its elders, painting, engraving, drawing (to which it was for a long time subservient) or, if you'd rather, what constitutes this specific mode of representation? When Bettina Rheims began her career in the late 1970s, only a small number of books were devoted to photography and the question remained embryonic, possibly unformulated. A few studies were beginning to surface, such as Susan Sontag's; Barthes had not yet published Camera Lucida; rare were the monographs that allowed us to tackle a coherent set of works. In a way it was a new age of pioneers, both for artists and for galleries, and the public and private collections that were gradually emerging.