Imitating Life
The Audacity of Suzanne Heintz

  • United States
  • en
  • en
  • 67'
Imitating Life | The Audacity of Suzanne Heintz

Synopsis

In 2000, at a time when the idealised family continued to shape social and advertising imagery, American photographer Suzanne Heintz decided to respond with humour to the repeated comments about her single status. Raised in the Mormon faith, in which marriage, motherhood and the patriarchal organisation of the family play a central role, she bought a mannequin husband and daughter and began staging scenes of an ostensibly perfect family life with them.

Inspired by American advertisements, postcards and television series from the 1950s and 1960s, her photographs adopt the vivid colours and frozen poses of this domestic imaginary. Beneath their apparent lightness, however, lies a critique of the roles assigned to women, the transmission of social norms from one generation to the next, and the gap between images of happiness and people’s lived experience.

Drawing on more than fifteen years of archival and personal footage, Imitating Life: The Audacity of Suzanne Heintz traces the development of the project, from its early, private staged scenes to its viral circulation around the world. Against the backdrop of the rise of social media, digital self-portraiture and the constant performance of the self, her work takes on renewed significance.

Combining archival footage, video diaries, interviews and behind-the-scenes material from shoots in Paris, London and New York, the film also reveals the physical and emotional demands of her work. At once funny, intimate and political, the documentary portrays an artist who uses exaggeration, colour and comedy to challenge dominant ideas of success, femininity and family happiness.

What you will find in this film

The origins of a photographic project that is both humorous and radical • Behind the scenes of staged portraits made with a mannequin family • A critique of the models of success imposed on women • How self-portraiture can transform personal experience into a political gesture • The project’s new resonance in the age of social media and constant self-curation

We end up living our lives through images of ourselves living life.
It was about the image, and I think we really needed that image as an anchor for us, as one place where everything was going right.
I am part of the last analogue generation. The last generation who grew up, got their self-concept before there was Facebook, social media.
Everything becomes just about what you look like. Image and reflection. It’s all a mirror.
We’re not experiencing it, we’re projecting it.
What I have tripped over is an international social issue that is now being compounded by the fact that we are now part of the information age, and the web connects us all.

Documentaries about photography, and about the people who make it. 
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What you’ll find

Portraits of photographers, names everyone knows and others you’ll discover here. Films about street photography, war, fashion or portraiture, about printing and historical processes. About the trades of photography too. And then suggestions for going further, with Focuses, articles, interviews, bibliographies.

A small independent team

Documentaries about photography were rarely shown on television, and hardly at all on streaming platforms. We created The Darkroom Rumour to give them a place of their own. We are a small team, and we choose every film ourselves, with no school to defend.

Inspire your photography

In these films, you see photographers at work, in the field as well as in the darkroom. If you take pictures, you’ll often come away with an idea to try. If you simply like looking at images, you may start to see them differently.

How it works 

You can watch the films online, anywhere in the world, on a computer, tablet or phone, and on TV by mirroring your phone’s or computer’s screen. Every film is available in French and English, with no ads. New releases come out on Saturday or Sunday. The trial lasts 7 days, and if you stop before day 8, you pay nothing.

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Further exploration

Selected bibliography

• Susan Bright, Auto Focus: The Self-Portrait in Contemporary Photography, Thames & Hudson, 2010. Publisher · Libraries

• Marianne Hirsch, Family Frames: Photography, Narrative, and Postmemory, Harvard University Press, 1997. Libraries

• Jo Spence, Putting Myself in the Picture: A Political, Personal and Photographic Autobiography, Camden Press, 1986.

• Cindy Sherman, The Complete Untitled Film Stills, Museum of Modern Art, 2003. Libraries

• Erving Goffman, Gender Advertisements, Harper & Row, 1979. Libraries

Online

Cindy Sherman, Untitled Film Still #21 – Shana Gallagher-Lindsay and Beth Harris, Smarthistory, 2015 – Free access.

On Feminism – The Editors, Aperture, no. 225, 2016 – Free access.

How Yurie Nagashima’s Self-Portraits Interrogate the Male Gaze – Lesley A. Martin, Aperture, 2020 – Free access.

What Is a Feminist Picture? – Lucy McKeon, Aperture, 2022 – Free access.

Popular, Transient, Expendable: Print Culture and Propaganda in the 20th century – Smarthistory – Free access.