Synopsis
Tina Bara, Cornelia Schleime and Gabriele Stötzer are rebels. As fearless young women in the 1970s and 1980s in the GDR, they made art expressing their anger against the oppressive regime, and claiming their right to freedom. Their uncompromising photographs convey what it feels like to be at the mercy of a system that suffocates young creative voices. But when the conflict with state security escalates, they have to make a decision: stay or go.
What you will find in this film
A form of photographic resistance born in the GDR of the 1970s and 1980s • Three artistic trajectories shaped by the desire for freedom, surveillance, and creation • Practices combining photography, performance, and Super 8 • A female counter-imagery standing against state propaganda • The intimate, political, and artistic cost of dissent.
Further exploration
This content is for members only.
Sara Blaylock – Parallel Public: Experimental Art in Late East Germany, MIT Press, 2022. (English) – The strongest contextual book for understanding East German experimental art and counter-publics.
Tina Bara – Lange Weile, Edition Fotohof, 2016. (German) – A core photographic book tied to Bara’s GDR-era images and later film project.
Gabriele Schor (ed.) – Feminist Avant-Garde: Art of the 1970s, Prestel, expanded ed., 2025. (English) – Useful for situating the protagonists within broader feminist image-making and performance histories.
Martin Walser, Cornelia Schleime – The Book of Dreams / Das Traumbuch, Rowohlt, 2022. (German) – Relevant for Schleime’s visual universe and staged imagery.
Gabriele Stötzer – Der lange Arm der Stasi, Mitteldeutscher Verlag, 2022. (German) – Important for the political background of surveillance, repression, and artistic resistance.
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