Synopsis
A priest and a nun locked in a passionate kiss, an AIDS patient on his deathbed, death row inmates in the United States, apartheid in South Africa, an Israeli embracing a Palestinian: Oliviero Toscani (1942–2025) was the creative force behind Benetton’s legendary campaigns, with their pop aesthetic and unflinchingly political gaze. From racism to the death penalty, and from war to ecology, the Italian photographer saw advertising as a way of speaking out about the state of the world. This documentary traces a sixty-year career in which controversy became his trademark. While several of his campaigns were banned in France and Italy, Toscani saw his photographs simply as a way of awakening public awareness.
What you will find in this film
The photographer behind Benetton's shock campaigns • An icon of advertising photography • Provocation in the service of strong values • Advertising as a tool for social criticism • A witness to his time • Freedom above all
Further exploration
This content is for members only.
Oliviero Toscani (ed. Tommaso Basilio) – Oliviero Toscani: More Than Fifty Years of Magnificent Failures, Carlton Books / Welbeck, 2016. (English)
Lorella Pagnucco Salvemini – United Colors: The Benetton Campaigns, Scriptum Editions, 2002. (English)
Jonathan Mantle – Benetton, Sphere, 2000. (English)
Susan Sontag – Regarding the Pain of Others, Farrar, Straus and Giroux, 2003. (English)
Jean Baudrillard – The Consumer Society: Myths and Structures, SAGE Publications Ltd, 2016. (English)
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